Known for his mostly large drawings of different motifs always applying the same hatching technique, in his latest series he uses the surface of a table as a template. The table stood in a Greek reception camp for refugees. Here, fingerprints were taken on arrival.
With art historian Catharina Kahane, member of the refugee organization Echo100Plus, and Kusthalle´s director León Krempel, Klaus Mosettig discuss the socio-political and aesthetic questions raised by «Handwriting (Leros)».
A publication accompanying the exhibition will be presented and signed by the artist at the finissage .
3 € regular
1,50 € reduced